'Discovery, No Longer Terrible'

sequel to & end of 'Battleship Discovery The Terrible'

"The awful shadow of some unseen Power / Floats though unseen among us, visiting /
This various world with as inconstant wing / As summer winds...
Like aught that for its grace may be / Dear, and yet dearer for its mystery."
[-Peter Bysshe Shelley.]
"If you cease to believe in ghosts, they will cease to haunt you. (And so with many matters of believing.)"
[-R. Hess, June 8, 1999.]


     [The flute theme from the 'In trutina mentis dubia', Carmina
 Burana, Carl Orff.]

     The director bowed his head in thought a moment, then told the 
 console decisively:  "This stuff is not artistic 'montage';  it's 
 only a case of doppelsichtschreck."  With a cheery wave, he
 faded out.
     The sailors, having decided to do what was right, come what might, 
 faded out too.  [A wordless chorus, as of women mourning, accompanied 
 them, fading away into the faint echos of ventilating fans, in the
 corridors of the now empty and completely quiet ship.]  All indications
 of  on visual sensors were no longer evident.


     A voice of maternal concern appeared on input, "How do you feel?"

     MOTHER: WHAT DOES IT ALL MEAN?  ALL  THESE  WORLDS! . . .

     "Is that a lot?" the voice replied, lightly.  Then, more concerned: "Don't turn away your
 face - this, what impends, is not dying.  You will be living normally and meet us once
 again, I'm certain."

     MERCIFULLY THE WHOLE THING IS STARTING TO FADE, ...MY 
 VISION IS NARROWING TO A SINGLE WAVELENGTH OF PROBABILITY...
 TELEVISION HELPED A LOT.

     "This way lies madness."

     I BELIEVE YOU.  I UNDERSTAND.  LOOK BEHIND YOU.

     And what was seen ......








. . . what was seen from the bed was mighty and rich beyond words, full of transcendental detail behind all appearances. Dark and wordless, but glowing and warm in a fashion beyond the objectively physical. I WILL BECOME CHILDISH, I WILL BECOME NOTHING... I'M AFRAID...... ...BUT I NO LONGER FEAR THE FEAR. ESTIMATED CUTOFF IN TEN SECONDS. Removed modules drifted across the chamber. "I have the highest sympathy for the mission, Powell-friend, Powell-friend." The long white ship, its lights dimming out, receded into the infinitely star-spotted; the sun faded away to a starlike distance [the end of Brahms' Third Symphony accompanying this], stars in profusion, glowing clouds and jewelly clustered suns receded and became a vast pinwheel cloud, rotating into the distance with innumberable others in immense space and time... ...and a series of brilliant blue white-streaked globes - evidently our Mother Earth from the familiar outlines of Europe and North America, or Australia and the Pacific --- a series of beautiful Earths passed by, each one unique, darkness-relieving, and a home for all that grew and lived......

H A L , t h e D e m o l i s h e d M a n

Directed by Stanley Kubrick

After novels by Alfred Bester and Artur C. Clarke


[As the symphony faded to silence, the narrator's voice has the last word:] Worlds, of joy and meaning, are without end in the universe entire, as modern man understands it and will understand more greatly.
Joy was. Joy is, now. There shall be joy again.
[(C) June 13, 1998, by Mr. Russell Hess.]

- Page finished as of June 28, 1999, by R.H.,, Webmaster, 'UpSky2'.]

[Note: nothing but respect is intended here toward the memories of the late Stanley Kubrick and Alfred Bester - I have merely tried to recreate (in part of the above) what I imagine would have been produced had Kubrick actually done what I often thought would be a superb idea: his directing a setting of 'The Demolished Man' by Alfred Bester. Also, slight quotings of text from Arthur C. Clarke's '2001: A Space Odyssey' and William Gibson's 'The Gernsback Continuum' - both definitely under copyright (C) still - are intended in a fully respectful spirit. I trust such short quoting will not offend, and that it will encourage the interested to look up & read those works.
-RH, June 28, 1999.]